Dr Kyriaki Hadjiafxendi
Books/Special issues
- Authorship in Context: From the Theoretical to the Material, co-edited and introduced with Polina Mackay (Basingstoke: Palgrave, 2007), pp. 229.
- The American Culture Industry of Image-Making, co-edited and introduced with Tatiani Rapatzikou. Parts I-III. Special issue of European Journal of American Culture 24: 1-3 (2005), pp. 3-45, 87-129, 173-203.
Chapters/Articles
- “‘George Eliot’, the Literary Market-Place and Sympathy,” Authorship in Context: From the Theoretical to the Material (Basingstoke: Palgrave, 2007), pp. 33-55.
- “The Emergence of the ‘Little Magazine’,” co-authored with John Plunkett, Modernist Magazines: A Critical and Cultural History, ed. Peter Brooker and Andrew Thacker, 3 vols (Oxford: Oxford University Press, 2009), I, pp. 33-50.
- “Profession, Vocation, Trade: Marian Evans and the Making of the Woman Professional Writer,” Gender, the Professions and the Press, ed. Marysa Demoor and Andrew King. Special issue of Nineteenth-Century Gender Studies 5.2 (Summer 2009), http://www.ncgsjournal.com/issue52/had.htm.
Under commission
- “The Affective Topography of Salon Culture: Elizabeth Barrett Browning, Mme de Staël and George Sand,” Emotion and Narrative. Special issue of Poetics Today, ed. Suzanne Keen.
- “Prosody vs. Poetry: George Eliot, Frederic Harrison and The Spanish Gypsy,” Victorian Prosody. Special issue of Victorian Poetry, ed. Yisrael Levin and Meredith Martin.
Forthcoming
- What is a Woman to Do? A Reader in Women, Work, and Art, c.1830-1890, co-edited and introduced with Patricia Zakreski (Oxford: Peter Lang, 2009), pp. 317.
- “Voicing the past: aural sensibility, the weaver-poet and George Eliot’s ‘Erinna’,” The Work of Gender in Victorian Studies: New Perspectives on the “Separation of Spheres”. Special issue of Studies in the Literary Imagination, ed. Martin Danahay (May 2010), pp. 30.
- “Ruth,” Companion to Literary Romanticism, ed. Andrew Maunder (New York: Facts on File, 2010).
“The Spider and the Fly,” Companion to Literary Romanticism, ed. Andrew Maunder (New York: Facts on File, 2010).
Reviews
- “Robert Douglas-Fairhurst, Original Copy Plagiarism and Originality inNineteenth-Century Literature,” Romanticism and Victorianism on the Net.
- “Gerlinde Röder-Bolton, George Eliot in Germany 1854-55. ‘Cherished Memories’,” George Eliot-George Henry Lewes Studies.
Dictionary/Encyclopaedia Entries
- “Allingham, William [1824-1889],” Dictionary of Nineteenth-Century Journalism, ed. Laurel Brake (London: British Library/Academia Press, 2009), pp. 12-13.
- “Alsager, Thomas Massa [1779-1846],” Dictionary of Nineteenth-Century Journalism, ed. Laurel Brake (London: British Library/Academia Press, 2009), p. 14.
- “George Eliot,” Critical Companion to Henry James: A Literary Reference to His Life and
Work, ed. Kendall Johnson and Eric Haralson (New York: Clearmark Books, 2009), pp. 384-6.
ABES Annotations
- Robert Hughes’s “Sleepy Hollow: Fearful Pleasures and the Nightmare of History”; Catherine Maxwell’s “Theodore Watts-Dunton’s ‘Aylwin’ (1898) and the Reduplications of Romanticism”;
- William R. McKelvy’s “Iconic Destiny and ‘The Lady of Shalott’: Living in a World of Images”; Maureen Moran’s Victorian Literature and Culture; John B. Osborne’s “‘Governed by Mediocrity’:
- Image and Text in Vanity Fair’s Political Caricatures, 1869-1889”; Kimberly J. Stern’s “A COMMON FUND: George Eliot and the gender politics of criticism.”